We were also ready to hit the studio once again and create our second demo tape. This time we wouldn't be doing it ourselves, as we enlisted the help of Pooh's brother Steve, AKA Knuckles, the same man who recorded the Wiggaz demo. I was quite stoked to be working with Steve again, this time however we would be recording at "The Geon" which was the nickname for "the dungeon". The dungeon was the basement of the Donohoe residence which Steve occupied, while Mama D, Pooh, and youngest brother "Erk" inhabited the other two floors of the house. What was even more exciting to me was the fact that our second demo would be recorded on an 8 track recorder, as opposed to a 4 track like we used on our first demo. It was a great time recording with Knuckles, it was a very laid back environment and we really had no time restraints.
Before long we were ready to release our second demo tape entitled "Eat Yer Words". Once again yours truly took care of the cover art, liner notes, and inserts. Each one was lovingly hand cut and folded by us and we took care of the dubbing as well once again. We had a new tape to sell, but we decided we needed free merchandise for our fans as well, which led to a plethora of sticker designs, Black Belt Jones matches and rolling papers, as well as our very own BBJ "pogs" a new game for kids that was sweeping the nation.
We also added some new blood to the band. On bongos and percussion we now had "Jus-Tone" who's real name was Justin. I had met him through Paul's circle of friends and took a shining to him instantly. He was a very peaceful and happy person, somewhat hippy-ish with funk and soul to him. He was a perfect fit.
Our second edition was Derek Begley, who I lovingly deemed as "D-Rek" as he was a big muscular jock... minus the dumb jock mentality which I loathed. I had met Derek through Scott & Pino, although Pauly knew him from back in the high school days. Derek had recently returned from an Australian vacation, and he brought back with him an instrument from the Aussie natives known as a didjeridoo. Between the bass, guitars, drum machines and samplers, we now had two more dynamics added to our sound, which also gave us a bit more of a visual on stage for the audience.
It wasn't long before opportunity knocked and we were offered a spot at CMW, Canadian Music Week, an annual event that catered to any music lovers taste, with various bands playing at various venues for a 7 day stretch. BBJ ended up getting put on a bill with Choclair, who was a local rapper that was blowing up and receiving somewhat of a mainstream push.
When CMW arrived I was pretty stoked that we'd get exposure to his fanbase, but was more so stoked at the fact he would now know the name and sounds of Black Belt Jones. Needless to say I was quite disappointed when he left the venue after his performance without even sticking around to check out our set. I found it highly disrespectful and distasteful of him, and from that point forward decided I would never support him or his art.
We had been gigging quite frequently, and once again it was becoming a thankless job. As much as I loved bringing music and happiness to people, it got rather taxing with all the traveling, lugging of gear, extra late nights and not really seeing any money for our hard work. Something had to give...