One crucial step in the evolution of Wiggaz A.D. was acquiring an actual legit jamspot, and we did so through Rumblefish Studios in the Rexdale area. It was pretty exciting to have our own space, as we could now jam whenever we wanted pretty much, with the exception of after hours once the studio was closed.
We had been playing the same handful of original Wiggaz material since 1994, so it was refreshing to now have the means for writing new songs at our own leisure, and write we did. By early summer we had enough new material to start a new demo if we redid a few of the old songs too, with yours truly supplying the vocals this time around.
It was through Rumblefish that we met a few other bands who would essentially be supporting acts in the days to come. The studio was literally a square hallway with doors on both sides of the halls, each door containing a jam space. We met with the owner Dave Carravaggio in his office, which was quite slick and filled with recording equipment. I assumed this would be the next place we recorded, although my assumption would later turn out to be incorrect. Dave seemed like a straight shooter, he was very calm and soft spoken but it was clear he was no pushover.
Rumblefish didn't have much to offer besides a place to practice and a pop machine, but there was a McDonalds within spitting distance if you were hungry. Across the street there was also a strip joint, where we ended up after jams here and there for a relaxing beer or two.
Asides from the boys in Viciousphere, I didn't really know anyone else in the building. After practice we'd usually head to their room for some smokes and convo... and to watch them jam it out. From what I remember they had the biggest jam space in the building. There was plenty of room for the gear, not to mention enough room for us Wiggaz to pull up some chairs and enjoy the show. The V boys were always chill, friendly, and their generosity extended for miles and miles.
It wasn't long before we made some new friends at "The Fish" through the universal power of music. There was Dirge, a crossover hardcore outfit from the Malton area. They were a straight edge band, but these guys weren't dead serious militants. In fact they were generally a bunch of practical jokers with great attitudes. Their singer Fudd, had one of the biggest voices I had ever heard from a man with such small stature. It was highly impressive.
Next up there was Fence, four young men from the Woodbridge area, all of Italian descent I believe, except their bassist Marshall who was Indian. When I first met them I believe 3/4 of the band were rocking their hair in braids, ala "Korn" who were a "nu metal" band that had recently blown up in the past year. Fence were also on a rap/metal tip, but they delivered their product much differently than us. They were mostly groove oriented, and groove they did. Their songs would get your head bobbing even if you'd never heard them before.
Last but not least, was Fractured. Another crew of young men from the Rexdale area, and they too were somewhat on the same tip as Fence, but they definitely had their own sound and flavour. Their singer Jim was Greek, so naturally him and I hit it off right from the start.
It was a very exciting time, each group frequently dropping in on one another to see what was going on musically. We were each other's biggest fans and supporters, and it was always a treat when any of us got a sneak preview of new material. We all fed off of each other which put us in highly creative states, thus enabling some extra kick ass song writing.
As the weeks passed we met new bands, and new friends through all the different circles in Rumblefish. Any Brampton bands that practiced there were generally people Greg knew from working at musicplex. Through Fence, Dirge, and Fractured, we met more people and more bands including Dr.Liquid. They were on their own page musically with a female vocalist named Rosina, and they definitely had their own unique sound. It wasn't long before Rose set a gig up in Woodbridge for us all to play.
Over the course of the summer we were playing any gigs we could get, usually with the above mentioned bands in the mix. It was a great support system, anytime one of us booked a gig we would make sure to include the others on the bill. In a short course of time we had built a strong family circle that was steamrolling forward with momentum, each scratching the others backs.
Eventually we ended up looking into recording our demo at Rumblefish, but it just wasn't in our budget unfortunately. We already had to pay a monthly fee for the room, but combined we just didn't have the cash to afford the recording session we needed. Just when it seemed like we weren't going to produce a new demo, an opportunity fell in our laps...